Cut and Paste Branding
Lisa Winstanley ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2021 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
ᱜᱨᱟᱯᱷᱤᱠ
ᱜᱨᱟᱯᱷᱤᱠ ᱴᱮᱜᱽ ᱟᱠᱟᱱ 24 ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱰᱤᱡᱟᱭᱤᱱᱠᱚ ᱧᱮᱞ ᱢᱮ.
ᱜᱨᱟᱯᱷᱤᱠ ᱴᱮᱜᱽ ᱧᱮᱞ ᱢᱮ. ᱥᱮᱨᱟ ᱥᱤᱝᱜᱟᱯᱩᱨᱤ ᱱᱚᱠᱥᱟᱠᱟᱨ ᱟᱨ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱜᱨᱟᱯᱷᱤᱠ ᱛᱷᱚᱠ ᱨᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱡᱤᱛᱟᱹᱣ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ, ᱯᱨᱚᱠᱚᱞᱯᱚ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ.
Design Ethics & Visual Integrity Lab Toolkit
Lisa Winstanley ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2026 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Singapore Art Museum Branding
Tay Yee Dang ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱥᱚᱨᱮᱥ ᱜᱨᱟᱯᱷᱤᱠ ᱢᱩᱫᱽ ᱨᱮ ᱢᱤᱫ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Radiant Health Corporate Identity
Ronnie Chan Jinrong ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2026 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Peace and Presence Wellbeing Branding
Lisa Winstanley ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2020 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Henshin Food and Beverage Branding
MARS DESIGN CONSULTANTS ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Post-it Colleague Care Kit Media Kit
Lawrens Tan, Cindy Gan, Phoebe Chang ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Visual/Senses Editorial Design
Jesvin Yeo ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Bambook Book
Jesvin Yeo ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱥᱤᱨᱯᱷᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Morph Food and Beverage Branding
MARS DESIGN CONSULTANTS ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2020 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
One Fine Day Brand Identity
Jimmy Chew ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Totally Random Talking Cards Visual story telling playing cards
Lawrens Tan ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Dumpling Republic Branding Project
Lawrens Tan ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
The Early Chapter Brand Identity
Allan Toh ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Bank Julius Baer Festive Pack Gift
Chuan Yeo ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2022 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
50s news-gift paper Poster
Jesvin Yeo ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱟᱹᱰᱤ ᱵᱷᱟᱹᱞ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Joshua Brand Identity
Jimmy Chew ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
Hey Summer Days Logo Design Logo Design
The Branding Giants Pte Ltd ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2019 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
JT Foxx Branding Logo Design
Lawrens Tan ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2018 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
DNA Poster
Danne Ojeda ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2017 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
A&P Branding Corporate Identity
Yvonne Kui & Maitri Marks ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
The headstream Poster
Yiqi Chen ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2016 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
WAAA Logo Design Corporate Identity
Lawrens Tan ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2015 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
10 Year Logo Corporate Identity
Lawrens Tan ᱦᱚᱛᱮᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ, 2014 ᱨᱮ ᱥᱤᱝᱜᱟᱯᱩᱨ ᱠᱷᱚᱱ ᱢᱤᱫ ᱯᱮᱥᱟᱫᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱟᱠᱟᱱᱟ.
ᱜᱚᱲᱚ ᱛᱮ ᱩᱪᱷᱟᱹᱱ
Very Creative Network
DXGN ᱰᱤᱡᱟᱤᱱ ᱠᱷᱚᱵᱚᱨ ᱮᱠᱥᱪᱮᱱᱡ ᱱᱮᱴᱣᱟᱨᱠ
ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱰᱤᱡᱟᱤᱱ ᱠᱚᱱᱴᱮᱱᱴ ᱧᱟᱢ ᱢᱮ ᱡᱟᱦᱟᱸ ᱫᱚ ᱛᱷᱚᱠ ᱛᱷᱚᱠ ᱵᱮᱥ ᱯᱷᱚᱞᱟᱣ ᱠᱚ ᱨᱮ ᱯᱷᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱷᱟᱸᱴᱤ ᱡᱟᱪ ᱛᱮ ᱡᱟᱪ ᱟᱠᱟᱱ ᱤᱱᱚᱵᱷᱮᱥᱚᱱ ᱯᱨᱚᱫᱩᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱠᱷᱚᱡ ᱧᱟᱢ ᱢᱮ᱾
DXGN ᱧᱮᱞ ᱢᱮ
POPDES ᱯᱚᱯᱩᱞᱟᱨ ᱰᱤᱡᱟᱤᱱᱟᱨ ᱠᱚ
ᱫᱩᱱᱤᱭᱟᱹ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱤᱱ ᱥᱟᱢᱟᱡ ᱨᱮ ᱢᱟᱱ ᱧᱟᱢ ᱠᱟᱱ ᱯᱚᱯᱩᱞᱟᱨ ᱟᱨ ᱯᱨᱚᱵᱷᱟᱵᱷᱚᱡ ᱰᱤᱡᱟᱤᱱᱟᱨ ᱠᱚ ᱠᱷᱚᱡ ᱧᱟᱢ ᱢᱮ᱾ ᱱᱟᱣᱟ ᱜᱩᱱᱤ ᱟᱨ ᱯᱟᱹᱦᱤᱞ ᱠᱷᱚᱱ ᱛᱮᱞᱟ ᱞᱤᱰᱟᱨ ᱠᱚ ᱞᱟᱠᱟᱣ ᱢᱮ᱾
POPDES ᱧᱮᱞ ᱢᱮᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱮᱱᱟᱜᱛᱟᱢᱟ?
ᱟᱢᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ A' Design Awards ᱨᱮ ᱡᱚᱢᱟᱭ ᱢᱮ, Best Design Singapore ᱨᱮ ᱛᱟᱹᱞᱠᱟᱹᱭᱚᱜ ᱢᱮ ᱟᱨ ᱜᱚᱴᱟ ᱡᱮᱜᱮᱛ ᱨᱮ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ.
ᱟᱢᱟᱜ ᱵᱷᱟᱹᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱟᱹᱜᱤᱫ ᱱᱤᱛᱚᱜ ᱢᱟᱱᱚᱛ ᱧᱟᱢ ᱢᱮ